Architecture

To build the pyramid of Cheope the Egyptians have applied the golden ratio?

170544699_74147feb0c_m.jpg
The students of two classes of the institute "Veronese" have made a study to answer to this question considering that Euclide will formalize his "extreme proportion and average" about two thousand years later.

From the activity of 39 students has emerged that a number next to φ = 1618033… is present in the proportions of the great pyramid.
Here you can see the pictures made by four students that exemplify better the work:

3362718107_aa2c033c35.jpg?v=0
CH:HB=1,616
AB:CO=1,575
3363536454_0696dd45e3.jpg?v=0
LIKE THE PREVIOUS ONE
3362717925_2b3e72ee3b.jpg?v=0
LIKE THE PREVIOUS ONE
3363535632_474d54b611.jpg?v=0
LIKE THE PREVIOUS ONE

At the end of the work the students have established that:
the ancient Egyptians didn't know the φ = 1618033… but they looked for a harmonic proportion that, as a consequence, was next to the, "golden number."

However not all the students agree and a minority (7 on 35) believes that the found relationships are only casual. And 3 students on 35 think the Egyptians knew and applied the golden ratio.

GREEK ARCHITECTURE

ABOUT PARTHENON AND GOLDEN RATIO
a study made by the Italian students of the Istituto Magistrale
“A.Veronese” of Montebelluna

The question is:
Is there a relationship between Parthenon and Golden Ratio?
These are some answers from our students:

flickr:3330819331

The golden rectangle gives a harmonious aspect to the façade of the Partenone conferring him an extreme equilibrium.

flickr:3331654398

The Partenone can be inserted in a golden rectangle because the relationship between its base and the height is 1,618: the golden number. This relationship is also visible in other elements and decorations of the pediment.

flickr:3330819409

The partenone has been subscribed in the golden rectangle, because it gives a pleasant vision to whom looks at it, it is a sort of divine ownership. The golden ratio is a characteristic that you can find in a lot of circles (from the zoology, to the botany, to the art…)

flickr:3331654398

People think that the Partenone is subscribed in a golden rectangle because the height of the whole building, that goes from the summit of the eardrum at the base of the crepidoma on which leans the stilobate with the columns, is separated according to the golden ratio from the height of the columns. Besides the greatest side (AB) is to that smaller (BC) as the whole one (AC) it is to the greatest part (AB) according to the golden proportion

partenon5.JPG

The Partenone has been subscribed in the golden rectangle because it serves for making it more harmonious to the eyes of the man and being the golden rectangle the pure geometric figure for excellence, it serves for giving a harmonic form to the structure.
The façade has been edged with a rectangle, that as you can be realized it is a golden rectangle. The other lines in the mean point out a peculiarity of the golden rectangle: if from it we remove a square of side of it equal to the height, the remaining part it is still a golden rectangle.

ROMANESQUE STYLE

Modena's duomo
3563709996_7ff00cde68_m.jpg
3563721268_191c9f6bfa_m.jpg
Five "Golden Rectandles" on the facade!


Pisa's duomo
3563444707_769043de2a_m.jpg


Renaissance

Brunelleschi
De' Pazzi Chapel 1429-1461
3570399148_099d7cb624_m.jpg


Andrea Palladio
villa Barbaro in Maser1555-1559
3569588989_f1bf016219_m.jpg

3974227355_fdfae257d1_m.jpg
Redentore's church 1577-1592
3569587351_3e67a21869_m.jpg
Unless otherwise stated, the content of this page is licensed under Creative Commons Attribution-ShareAlike 3.0 License