Golden Ratio From Renaissance To XVII Century

A GOLDEN RECTANGLE IN SOME RENAISSANCE WORKS
The Golden rectangle has been known since antiquity as one having a pleasing shape, and is frequently found in art and architecture as a rectangular shape that seems 'right' to the eye.
Can we find a Golden Rectangle in art? Did artists use it?
Some students of the Istituto Magistrale
“A.Veronese” of Montebelluna
research where we can find the Golden Ratio in art.
These are the study results:

Domenico Veneziano
The Madonna and Child with Saints, 1445
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Brunelleschi
De' Pazzi Chapel 1429-1461
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Masaccio
Trinity, fresco in the Santa Maria Novella in Florence 1426-1428
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Madonna and Child, 1426
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Piero della Francesca
Flagellation, approx.1453
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Madonna and Child with Saints (Montefeltro or Brera altarpiece), 1475
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Sandro Botticelli
The Birth of Venus, 1485
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Primavera, 1482
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Leonardo da Vinci
The Last Supper, 1495-1497
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Drawing
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Raffaello Sanzio
Sposalizio (The Engagement of Virgin Mary), 1504
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The Transfiguration, 1518-20
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Giorgione
Madonna and Child Enthroned between St Francis and St Liberalis, c. 1505
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Tiziano Vecellio
Venus with Organist and Cupid, 1548
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Andrea Palladio
villa Barbaro in Maser1555-1559
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Redentore's church 1577-1592
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